An Invitation to ZUMA
My 60th birthday is imminent, (again?, no it’s the same one fron June 11th 2013) & one of the emails reads:
When r u 60?…Can Shelly and I take U, Daphne and Udi to Zuma one eve?
…OK, Table already booked. Kobi.
I must confess I have not been to Zuma since it opened (with a Buzzzzzz) at 2002, it just kept slipping through my restaurant visits in London.
Now Kobi is my legendary “culinary tours” partner at restaurants all over Europe since the late 1980’s, we used to travel all over France in search of the culinary wizards of their times, and found them, tours that left us with everlasting memories. He is a great cook, and an amazing judge of good cooking, and good food, be it haute cuisine or simple street food, a lover of tastes, delicate cooking, a master of light touches that make food great. (I must say I have learned a lot from him regarding approach to cooking). Shelly his wife (on the other hand), she is a great friend of mine and the true celeb of our group tonight. She is the “teacher /mentor & right hand” of the talented and shy Alber Elbaz, the chief fashion designer of the house of Lanvin, we are talking the top of Haute Couture. (Have a look at Alber Elbaz on truth and fashion Video) it is a fascinating piece on anything but fashion on: http://www.youtube.com/watch?v=y5BUFFpZC5s ) (I like this guy).
Elbaz studied fashion at Shenkar College (Ramat Gan) near Tel-Aviv. His teacher was Shelly Verthine, who remained Elbaz’s close friend and creative collaborator. “Shelly was my teacher and is still my teacher,” he says of shelly who remains an integral to his work and is often seen by his side. “The mythological teacher who brings things out of you”
Alber Elbaz, Lanvin– by Shelly Verthime and Pascal Dangin (2012)
Guy Bourdin– by Charlotte Cotton, Shelly Verthime and Collectif (2004)
Guy Bourdin: In Between– by Shelly Verthime and Charlie Scheips (2010)
by Nicolle Meyer and Shelly Verthime (2006), check them out they are fascinating. She is also the curator of the Guy Bourdin V&A exhibition and since then in many major museums all over the world, as I said a real celeb! A video of the 2012 show can be seen at : http://www.youtube.com/watch?v=b0SFLvsYULs
But she is shy, always away from the limelight, I once asked her how come she is always wearing simple plain clothes with all the Haute Couture availabilities around her and so she honoured me with an “appearance” for my birthday…
As planned we all meet at Zuma as arranged, for my last night of fun Birthday weekend in London, my Home away from Home.
Around 11 years ago a German chef – Chef Rainer Becker, and his Indian business partner opened a super trendy & Modern Japanese restaurant – Zuma. Rainer Becker spent six years in Tokyo where he studied the secrets of Japanese cuisine. Was he in search of the secrets of Japanese cuisine? or its place in Japanese culture maybe? what I would call “The Tao of Japanese cuisine” (道– Dô. or the term Tao means “The Way”, “path” or “principle”). Did he find Enlightenment? Or rather the principles that fuse the esthetics and basic principles of Japanese cuisine with modern western culinary demands, a “needs” for Japanese food with a modern twist to fit contemporary tastes of modern restaurant goers. (As a matter of fact Zuma is now established as a global brand, with openings in Hong Kong, Dubai & Istanbul).
Zuma is about fashion, see and be seen, glamour, and celebrity, but above all it is committed to top notch cooking which they call: contemporary Japanese food. Zuma of London’s Knightsbridge, offers something different, a sophisticated twist on the traditional Japanese izakaya tradition of informal eating and drinking.
Traditionally Izakaya (居酒屋) is a type of Japanese drinking establishment, which also serves food to accompany the drinks. A places for after-work drinking, very much like a Spanish Tapas Bar. Here at Zuma they claim that: “The ethos behind zuma is to deliver an authentic flavour of the east while respecting the traditions of the past”
Indeed the menu presents the diner with a wide variety of traditional Japanese products, condiments and cooking methods all with the addition of some European additions like black truffles (in many of the dishes) and other “borrowed” trendy ingredients make up an alluring menu (the kind you want to say: ”one of each please”.
We ordered our wine although the Sake list looks impressive. (my understanding is limited on the Sake front, so I aimed wine wise at the general taste of the guests around the table and came up with a winner:
Moreau-Naudet, Forets, Chablis Premier Cru, 2010, (at £69 one of the best “deal” of the whites wine list)
This is a fruity, voluptuous wine with abundant citrus notes of lemon, lemon rind, sea salt, (that go well with the ample usage of Yuzu and sea weeds in Zuma’s dishes), a touch of floral scent of wild flowers and wet chalk touch. It’s beauty is in the balance between all the flavour elements. It comes from a small lot within the Montmains vineyard, which Stéphane calls: “…one of the greatest terroirs of Chablis.” Stéphane Moreau is though young is a very experienced winemaker and the wine reflects his deep understanding of Chablis winemaking expressing his new ideas into the final product.
The wine is available at https://www.justerinis.com/fine-wines/wine-details/burgundy/domaine-moreau-naudet/chablis-la-forest-1er-cru-2010-20498 buy it for £165.00 (for a case of 12 bottles (if you are at the UK, and make it your summer wine)
We started with the most amazing fresh, smooth and silky Home made tofu served chilled with condiments, not only it is beautiful to look at, but has a great consistency and touch on the palate, personally “spiced” by each of us with a choice of spices laid around the wooden square dish fresh grated ginger, wasabi, sesame and a fruit confiture, perfect!!
Another totally vegetarian dish arrived on the table Seaweed salad apple wafu vinaigrette & toasted pumpkin seeds, delicious and colourful, bring them on…
Than came the Thinly sliced seabass with Yuzu, truffle oil and salmon roe, very delicate, evenly spiced citrus meets the ocean, the truffle oil, quite unsuitable for these delicate touches of flavours.
The vegeterians around the table were offered the Fried tofu with mizuma, gobo and pickled baby carrots, fried similarly to the calamari.
While I was getting the amazing Freshly seared Wagyu sirloin Tataki with Black truffle ponzu
The Wagyu was perfectly marbled lightly seared on all sides with the center left raw with enough heat to start affecting the fatty “marbles” adorned by a generous amount of thinly sliced “fresh” black truffle which was loosing its scent by now (June) but the ponzu was a perfect dip for the dish adding a lemony zest to the final flavour. Ponzu (ポン酢) is made by simmering mirin, rice vinegar, tuna katsuobushi flakes and seaweed (kombu) over medium heat. The liquid is then cooled, strained to remove the flakes, and finally the juice of Japanese citrus fruits: yuzu, sudachi, daidai, kabosu, or lemon is added.
By now everyone was quite satisfied but I could not resist the amazing Wagyou cut of the day and decided to order the Wagyu beef (sirloin) served with tahhon aioli and chilli daikon ponzu. A real delight straight from the robata grill a real BBQ delicacy, apart from being perfectly prepped, there is no doubt the uncooked produced played a major role in the success of the dish. Excellent!!!
With the eye of a painter and the freedom of a photographer, Guy Bourdin created images full of fascinating stories, compositions, and colors. Using fashion and fashion photography as his vehicle, he explored the realms between the absurd and the sublime, taking cues from the theater and Surrealism. He broke conventions of commercial photography with a relentless perfectionism and sharp humor. Some of these qualities were served to us on the dishes during our meal at Zuma and these are some of the qualities I expect from a meal, my dear friends and family added the extra bits for a great completion of a very FINE supper.
The chronicles of British cuisine in a meal
As we ordered our starters and main dishes we were advised that one of the desserts takes a long time to prepare The Tipsy Cake (c.1810) requires 3 “visits” to the oven and takes about 40 minutes to make/bake obviously we ordered one (to be on the safe side) that was a great mistake cause even 2 orders would have been devoured by our small group, a real gem to which we will return in details later…
We ordered The Taffety Tart (c.1660) just to compare with the exquisite one we had at The Fat Duck, both of course from the: 1610 A New Booke of Cookerie by John Murrell. The recipes for Taffety Tarts, which usually contained apples is a spectacularly fragrant version – the apple pulp scented and flavoured with orange, quince, rose-water, and violets, This recipe was first published in print in ” The Cook’s and Confectioner’s Dictionary” 1724 goes like this: “Mix a quarter of a Pack of Fine Flour, with a quarter of a Pint of Yeast, and as much hot Liquor as will make it into a stiff Paste, with two Pound of butter, the Yolks of twelve Eggs, and half a Pound of fine Sugar; make it up into small Balls, and then roll it out into thick Plates; wash round their Brims with Milk: Boil Pippins soft, peel them and scrape the Pulp from the Cores, mingle the Pulp with fine Sugar, a little Marmalade of Quinces, the Scrapings of candied Orange-peel, and Rose-water: Make up your Tarts, dry them in a warm Place, bake them, scrape Sugar, and sprinkle Essence of Violets or Roses over them, and serve them up”. I’ve read thousands of recipes and cooked from them, but the above C.1724 instructions, will amount to nothing that looks or tastes like a tart.
The HB FAT DUCK version saves the day very elegantly as you see on the Fat Duck version(on the left) , but less so, or in fact as… just another tart in the Dinner version (on the right).
Brown Bread Ice Cream (c. 1830) Salted better caramel, pear & malted yeast syrup, from the 1830 A New System of Domestic Cookery by Maria Aliza Rundell.
For the Brown Bread Ice as written in the above book (on page 201): “Grate as fine as possible, stale brown bread, soak a small proportion in cream for 2-3 Hours, sweeten and ice it”. Short and simple innit? Well It makes Iced cream but not Ice Cream as we know it, so the idea of powdered “stale brown bread” is incorporated in a classic creamy ice cream decorated with salted butter caramel which is also a “filling” for the base pastry also in the “brown bread” realm including cubes of “bread” soaked in caramel syrup than toasted to achieve crunchiness, intermittently with cubes of poached pears. The barley malt extract syrup, provides a combination of enzymatic activity, sweetness and appealing crust color to baked good, used extensively in brown bread making
I must say that Maria Rundell’s Ice cream recipes such as the one quoted here do not come even near the ice creams of another author appearing on the menu, for a dessert we did not have The Boemian Cake (c.1890) by “THE QUEEN OF ICE”, Mrs. Agnes Bertha Marshall (1855 – 1905). This lady was a celebrity cook of Victorian time, she always adopted new technology and technique. Apart from having her very own ice cream maker the Marshall’s Patent Freezer, she is also credited with the invention of the ice cream edible cone, mentioned in her 1888 book of cookery. Agnes B. Marshall wrote four books: The Book of Ices 1885, Mrs. A.B. Marshall’s Book of Cookery 1888, Mrs. A.B. Marshall’s Larger Cookery Book of Extra Recipes 1891 & Fancy Ices 1894. These are considered to be some of the finest books of their type ever written, especially those on ices, of which Mrs. Marshall was crowned Queen. Her recipes are clear, accurate, and well illustrated.
We could not resist our waiter’s recommendation: Quaking Pudding (c.1660) Pear, perry, caramel & lime, from: The Accomplished Cooke by Robert May, 1660, or in its full name THE Accompliſht Cook, or “THE ART & MYSTERY OF COOKERY. Wherein the whole ART is revealed in a more easie and perfect Method, than hath been publiſht in any language, who am I to dispute that…?
The recipe on Robert May’s Accomplished Cook 1660, is a classic 17th century English recipe. This one by Robert May is a basic cream custard with bread steamed in a mould and which should shake or quake when served, which it does right before our eyes.
Making a Quaking Pudding: Slice the crumbs of a penny manchet*, and infuse it three or four hours in a pint of scalding hot cream, covering it close, then break the bread with a spoon very small, and put to it eight eggs, and put only four whites, beat them together very well, and season it with sugar, rose-water, and grated nutmeg: if you think it too stiff, put in some cold cream and beat them well together; then wet the bag or napkin and flour it, put in the pudding, tie it hard, and boil it half an hour, then dish it and put to it butter, rose-water, and sugar, and serve it up to the table. (Copyright © celtnet) For the full recipe link to:
*Penny Manchet, is a wheaten yeast bread of very good quality, or a small flat circular loaf of same. It was a bread that was small enough to be held in the hand. Perry is an alcoholic drink made from fermented pears. Perry has been common for centuries in England, particularly in Gloucestershire, Herefordshire and Worcestershire, and in parts of south Wales.
This is really an exquisite dessert. Dinner’s version containing Vanilla as well as the “obligatory” freshly grated nutmeg with the light Jus of pears, perry, lime and caramel, from the poached pears not only quaking all the way to our table and on it (aided by all concerned) but smoothly lining our palates and down our throats… delicious.
Back to the Tipsy Cake (c.1810) from: The English Cookery book by J H Walsh which can be read on: http://archive.org/stream/englishcookeryb00bookgoog#page/n0/mode/2up
The tipsy cake is a soft succulent brioche is served in a mini cast iron Staub pot, soaked in a sweet alcoholic sauce – “a drunken cake” here it is accompanied by a small strip of roast pineapple, slowly sweating on a spit roasted (to perfection) on the large Rotisier.
Brioche is a pastry or a highly enriched bread of French origin, with high egg and butter content that give it a rich and tender crumb. It is “light and slightly puffy, more or less substantial, according to the proportion of butter and eggs. It has a dark, golden, and flaky crust. Brioche is considered a Viennoiserie- baked product made from a yeast-leavened dough in the same way as bread, but has the richer aspect of a pastry due to the extra addition of eggs, lots of butter, liquid (milk, water, cream, and, sometimes, brandy or sweet wine) and sugar.
The combination of butter and caramelizing sugar at the base of the cast iron dish creates a runny delicious liquid toffee which is “sucked in” by the baking fluffy brioche making it addictive beyond imagination, in fact I crave for more as I am writing right now, the combination with the roasted pineapple is perfect adding tropical touch and flavour to the dish.
I must add that my fruity and fresh 1987 Château D’ Yquem, that was “not welcomed” at Dinner, but consumed with joy on my “official” Birthday Dinner at Catit Restaurant Tel Aviv, would have been PERFECT with all our deserts especially the Tipsy cake and spit roast pineapple which is an Yquem on a plate.
Dinner is a restaurant that presents with pride a chronological history of best of British food throughout recorded history (in print) from the 14th century to date.
HB: “around about two hundred years ago Britain had gastronomy as good as anywhere else in Europe, we only take our inspiration from periods and time it’s not replicating it not at all, it’s an inspiration by association at times just a spice mix or a way the dish is served, we are updating and upgrading the ingredients nowadays you would not be able to eat like all round rancid milk or oxidized & sour wine available in the 17th-18th centuries”.
At Dinner they are using refined oils rather than Pigs lard for cooking, other contemporary products and techniques to achieve reminiscences of a glorious culinary past, in contemporary dishes. If you do not search for the origins of each dish (not only a mention of their sources of origin as they are meticulously entered on the menu), the idea gets lost somehow, very much like looking at relics from the past in an archaeological dig which without any deeper explanation of what you are looking at look like just another bunch of “broken stones”. I guess most people including me loose the essence of the “exercise” and just have yet “another meal”, rather than appreciate the amount of thought and effort that is entered into each and every dish, and that’s a bit of a shame, that might not be easily rectified after all people come to Dine here and dine we did, in style and meticulous perfection in dishes execution, that with the right company, what else could I wish for on my 60th Birthday (month). Yes celebrations went on (and on) some of which you will be part of in the coming posts.
Dinner by Heston Blumenthal
66 Knightsbridge, London, SW1X 7LA
Phone: 0207 2013833
The origins and history of a meal – an Archeological excavation
We are sitting for lunch @ Dinner by Heston Blumenthal now already relaxed as we already had our starters, We ordered our champagne and wine for the meal, at the beginning, switching to the Hubert Lamy Saint-Aubin 1er Cru Les Frionnes 2009, after the “opening toast” took place, I like having 2 wines in 2 separate glasses on the table to “perform” my own personal pairing with the dishes served…
The Saint-Aubin Les Frionnes 2009 is a very attractive and elegant wine from small lots Les Frionnes on the north side of Rue des Frionnes, just outside the St. Aubin village; (you can “travel” along the vineyard with Google maps street view search for: Rue des Frionnes 21190 Saint-Aubin, France), it seems the grapes are soaking in the sun throughout the day facing the southern slopes. The Lamy family has been working in the vineyards around Saint Aubin since c.1640.
The wine: Clean pale green colour. With notes of lemon zest and green apple peel, white flowers and traces of wet chalk. It has a light touch of wooden presence, it shows subtlety, delicacy and freshness as well as a nice aromatic persistence on the palate. An elegant wine, indeed with fine intensity and excellent freshness of citrus fruits on the long finish, very good balance, harmony and finesse, just right for our meal.
Udi “our” Vegetarian, opted for the – Braised Celery (c.1730) Parmesan, artichoke, walnuts & morels, was rich and tasty, it was perfectly laid down on the plate, I could not resist a tiny bite on the cucumber Jelly which was sublime. (This dish was dug out from the book: The Complete Practical Cook; A new system of the whole Art and Mastery of Cookery, by Charles Carter 1730, BTW it is misprinted on the menu as “Charly” Cook, yes C. Carter was a cook for the Duke of Argyle. The Earl of Pontefrac , and the Lord Cornwallis), the book has phrases like: “…and send it up, in its jelly…”, as an instruction to the cook in the kitchen “Downstairs” serving food to the dining TABLE “Upstairs” (You can read another of Carters books free on http://books.google.co.il/books?id=6YIEAAAAYAAJ&pg=PA58#v=onepage&q&f=false
I seems that Daphne our Fish eater, was stuck in (1830), the same year as her starter but… with a dish by a different cook: Maria Eliza Rundell, she ordered the Roast Turbot (c.1830), Leaf chicory & cockle Ketchup. (from the 1830: “A new system of Domestic cookery by M.E. Rundell (A Lady)”, an extremely popular cookbook of its time, mainly in the western colonies. (Later editions were edited and rewritten by Mrs. E Birch.)
Ketchup is a late 17th century (around 1690), Chinese mix of pickled fish and spices called : kôe-chiap or kê-chiap (Chinese for: “the brine of pickled fish or shellfish”), from there to Malaysia and by the Brits to the west with the 1830 Mushroom Ketchup by Geo Watkins. The secret of many cooks in Victorian times. It tastes halfway between soy sauce and Worcestershire Sauce and with a light scent and flavour of mushrooms, all the way to Mr. H.J.Heinz very own American tomatoes Ketchup of 1876.
A fine dish with Turbot roasted exactly inside and out and cockle in their brine, ((ketchup) and Cichorium intybus (chicory)steamed leaves, the cultivated chicory is better known as Belgian Endive (the endives we know are white because the cultivated plant is deprived completely from sunlight (grown in the dark underground or indoors), the green leaves used in this dish are from the wild chicory plant and are more delicate in their bitter taste than the Belgian type and less flavorsome than the brown, ground, dried chicory root used as a coffee substitute during WW2.
Spike Ordered the Powdered Duck Breast (c.1670) Smoked confit fennel & umbles, a reconstruction of a recipe by Hannah Woolley from The Queene-like closet or rich cabinet 1670-1672. The book was intended for Downstairs staff in stately homes, but does not really include any recipe even close to served dish, maybe the spirit of Ms. Woolley is there, and gave our team of chef inspiration that should do:
Ladies, I do here present you (yet), that which sure will well content
A Queen-like Closet rich and brave, (Such) not many Ladies have:
Or Cabinet, in which doth set, Jems richer than in Karkanet;
(They) only Eies and Fancies please, these keep your Bodies in good ease;
They please the Taste, also the Eye; would I might be a stander by:
Yet rather I would wish to eat, since ’bout them I my Brains do beat:
And ’tis but reason you may say, if that I come within your way;
I sit here sad while you are merry, eating Dainties, drinking Perry;
But I’m content you should so feed, so I may have to serve my deed.
Hannah Wolley. (1670)
Yet again, unknowingly Lisa and I ordered the same dish: Spiced Pigeon (c.1780) Ale and Artichokes.
Neck of the woods (c.1555), Neck” had been used in English since around 1555 to describe a narrow strip of land, usually surrounded by water, based on its resemblance to the neck of an animal. But the Americans were the first to apply “neck” to a narrow stand of woods, well in my neck of the woods pigeons are hard to get and I am a “sucker” for pigeons. Historically the practice of domesticating pigeon as livestock most likely came from the Middle East (my neck of the woods), squabs or pigeons have been consumed in the Middle East for centuries since around 350BC Hellenistic Period, in Ancient Egypt, Rome and then Medieval Europe. Doves are described as food in the Bible and were eaten by the Hebrews (that’s my guys…), still it is quite rare to find good size or tasty pigeons round here, even quails the very bird that kept our forefathers from starving in the desert during the exodus of the Hebrews from Egypt to the promised Land of Israel is not available in shops anymore (The market forces of availability and demand brought the few farmers down…)
Squab is a young domestic pigeon; it formerly applied to all dove and pigeon species, such as the Wood Pigeon, the Mourning Dove, and the now-extinct Passenger Pigeon (not by hunting practices may I add). More recently, squab meat comes almost entirely from domesticated pigeons.
This recipe presumably comes from The: Lady’s assistant, and complete system of cookery. By Charlotte Mason (c.1780). Read all about it online @ : http://archive.org/details/ladysassistantfo00masob
This lady (Mason), knows how to cook without a doubt and uses the finest of products to achieve her “creations” she relies upon French cooking tradition and uses the French definition when no English words are at her disposition. The pig looks and tastes so pinky, juicy and fresh due to a process they used initially at the Fat duck using an Enzyme Transglutaminase, this enzyme binds proteins together and shortens the cooking time required thus keeping our Pigeons breast all nice and juicy (in one word succulent). The reduction of Ale and pigeon stock is light and well seasoned (these tend to be slightly over salty most of the times BUT NOT HERE!!! There was a total consensus regarding the quality of the dish.
Now… the wines we had, you already read about. But I wanted to celebrate my 60th birthday with some “rare” wines I have collected through the years, to be opened on a special occasion, Like the Chateaux Mouton Rothchild 1970 (with the Mark Chagall Label), and a bottle of Anselme Selosse Substance Champagne, obviously I would not bring a wine to a restaurant without permission or a wine which is on their list of course, but when requesting that very permission at DINNER you get reply from the wrong people on the restaurant “Hierarchy”, these officials are bound by “restaurant policy” which would never in my mind get the chef’s or head sommelier approval they say NO (easy), I think that if the right people: HB or Ashley Palmer-Watts or the sommelier in charge they would say yes, after all as they write in their www site the idea of Dinner is: A formal meal, typically one in honour of a person or event.
Anyway (eat your heart out cause Lisa got me as a present form herself and Georgia (on my mind) a great wine bottle Chateaux Pavie 1970, somehow me paying a long debt on my side to Lisa was also “paid” in the shape of a Croft 1970 Port and I brought along (just in case the restaurant staff will show us the courtesy of good wishes and allow us to open Just one special bottle from my cellar Chateaux Mouton Rothchild also 1970 (3 great 1970’s on the table (well in a beg by the table on the floor), were left orphaned due to policy driven decisions, and me being too shy to ask), still if you ask me a bad decision but I am not the restaurant’s “policy maker” !!!!!!!! (I doubt if HB is even aware of the situation that even on special occasions with a wine which is NOT on the restaurant LIST which is a very nice and comprehensive wine list, (pity the internet version I was referred to is a short unsatisfactory list compared to the rich and diverse even easy to read list you get on the table), the restaurant stuff came out the losers as well because we always share good rare wine/s with other “understanding palates” (as this is our own personal joy). The wines we brought each other, the presents rouse our young sommelier’s envy, yet did not succumb to the “restaurant policy”…
We added Side dishes: the amazing Mashed potatoes and the fresh Braised lettuce and peas again cooked to perfection JUST RIGHT!
Chef Ashley Palmer-Watts, likes to cook and knows the A-Z of cooking and easily masters a kitchen of this quality but I was left with a feeling that he is “afraid” (maybe by choice), to cross the boundaries of tailored “Haute cuisine” cooking into the realm of FUN. I guess being a “hotel Restaurant” or “Restaurant in a Hotel” has an effect not only on the envelope but also on the content of the Restaurant as a whole itself. On paper the idea to excavate ancient recipes that go as far back as the 14th century up to the beginning of the 20th century, is not only a great idea but shows a sincere and deep interest in food which appeals to me. When one cooks a lot, he stops getting interested in the recipe as an instruction guide to and tries to get to the idea behind the recipes, the other aspects of food such as history, philosophy, sociology, and get into the realm of cookery as ART.
We sank in to the remaining morsels of food in each other’s plates watching the cavalry guard heading back to the stables enjoying each others company while waiting to our deserts on the next post.
Dinner by Heston Blumenthal
66 Knightsbridge, London, SW1X 7LA
(…To be concluded…)